I played this piece of music to my wife on the second anniversary of our marriage. At that time I was playing without using the nails of my right hand. From the beginning when I studied classical guitar, I had been rather reluctant to grow my nails as I felt it would sacrifice much in other aspects of life. I was encouraged to do this as I heard that some legends of this instrument such as Sor only played with flesh of fingertips in history. However, I soon found that the guitars in the old days were different from contemporary instruments, and the most distinguishing characteristic was that the guitars in Sor’s period used gut strings rather than nylon strings which were the standard nowadays. There were a few professionals who played without nails today but their techniques favoured gut strings more, and the gut strings were not only expensive but also sensitive to environmental factors such as humidity and temperature. I was disappointed and even tried to give up playing classical guitar for this reason. Despite many people online said as an amateur, one could use just flesh on nylon strings. However, I was such a perfectionist who could not bare this. My enthusiasm was cooled down to a great degree due to the fact that I couldn’t find a well-known professional player who played barely with the flesh on nylon strings.
The turning point was at the end of 2021 when I realised that there were some top-level virtuosos playing on nylon strings with very short fingernails, especially notably Virginia Luque and Lorenzo Micheli. There were not that many details about how Lorenzo filed his nails but from his comments on his own Youtube channel, he said he used very short nails of the right hand and with the pinky attached to the soundboard, which had allowed him to play both modern classical guitar and baroque guitar conveniently. Virginia was Segovia’s last private student, there were interviews for her online regarding her techniques which were said to be taught by Segovia. She claimed herself to be a nailless player, though it was controversial as she also grew nails which were of course very short (not beyond the fingertips) on her right hand and the nails were said to be only used to support the fingertips, and she really did not touch the fingernails. Her techniques were also described briefly in the comments of her Youtube channel.
I was very excited to know these short nails techniques, which could be a very good compromise between my classical guitar hobby and other aspects of life. I listened to the music played by Lorenzo Micheli and Virginia Luque again and again, and then I grew my nails and then bought a fingernail file to file my nails so that there were not exceeding the edge of my fingertips. I soon found that Virginia’s technique which does not use the nail to touch the strings was very hard to achieve, and the posture of Lorenzo’s technique which placed the pinky on the soundboard was a bit stiff. However, I did feel that using some short nails, which first touched the strings with flesh and then released the strings so that they also touched the nails, could produce a better tone quality than only using flesh. I thought that I did not need to fully copy the others’ techniques, as everyone was different.
From the beginning of the year 2022, I studied a new piece of music, the ancient English folk song Greensleeves, arranged by Bradford Werner. I practised and practised and finally became familiar with it around the time of our third anniversary of marriage. Bradford’s Youtube channel has many free only lessons, but I was not very interested in them. I was more interested in the music sheets that he edited. I bought some PDF books from the website and the song Greensleeves was from the books. When I studied to play songs from the very simple classical guitar repertoire, I found that my knowledge of music theory was very limited so I read some books on music theory, especially harmony. Also during this period, my old classical guitar, which had accompanied me for nine years since I bought it when I was 28 years old, was broken. I purchased a new one online and also learned to change the strings.
I then got a bit tired of it. In the following couple of months, I hadn’t touched the guitar that much.
One day when I was with my wife and son in Aspley Hypermarket. We stepped into a musical instrument shop. There my child was attracted to the colourful ukeleles. Then we purchased a yellow soprano ukulele for him. When we were back home, Ivan was playing with the new bought ukelele. Then I went to my working studio and brought my guitar to the lounge. I played the Romance D’Amour and Greensleeves while he was happily touching the strings with his little hands. A couple of weeks later I also bought a glockenspiel for him. I was especially enjoying the moment when he was grasping the mallet with me holding his little hand to play some simple melodies such as the Birthday song and Jingle Bells on the glockenspiel. The boy liked the glockenspiel and also the ukelele. To allow him to grow up in an environment with art and music, I regularly brought my guitar to play in front of him.
Then I thought I should study a new song. This time I chose the Chinese folk song Jasmine Flowers. The arrangement was also made by Bradford. With the fundamentals built during practising Greensleeves and Romance D’Amour, I was becoming familiar with this piece of music faster than when I studied Greensleeves. I could play it in a few days. These days I was also reading a book about the biography of the classical guitar Maestro John Williams. Before reading the book, I had known that John was born and then grew up in Australia. But I was surprised to know that his mother’s father was ethnically Chinese.