On the day of New Year of Horse, I attempted to paint a horse based on a few photos of a horse race I took during last year's EKKA. The first picture I created was beautiful, but the horse was ridden by a woman, which was the same as the photos'. But then I quickly realised that a horse controlled by a human being was not what I wanted. I repainted another one with only the horse so that it had its freedom to determine its destination. I slightly drew the legs to be longer than the real, so that it could run faster, while this also made the horse looked thin. I don't mind it to be thin as a horse in the wild should not be as fat as those raised in stables.
The following few weeks, I painted some pictures about flowers and landscapes, as I had been a bit weary for drawing human beings. I tried different techniques. Not all successful, but I gained some experience. The mistake I frequently made is to use too strong colours at the beginning. Though in reality the colours of the object may be heavy, but in watercolour paintings, it is hard to show the skeletons of the objects clearly if we use the same heavy colours as real. To some extent I need to adjust the layers of the colours, as I don't have to make it identical to the real, but have to make it beautiful and understandable. I felt I was a better landscape painter than flower painter.
I re-picked up my transversal bamboo flute (the bass dizi flute) in these days. I tried not to blow the notes for a too long duration. Instead, it is easier to break the musical sentence into small parts. As long as it is separated in the correct locations, it does not really damage the flow of the music. In addition, it sounds even better as the performer is more relaxed.